this week I got to try the first two scores with non-professional dancers age group 55+ in Rotterdam. working with and controlling flow, from open and free to condensed and in full and close control, seems to be a choreographic concern of creating tension/movement in space with a group of dancers/movers as well as physically with a single body.
i keep perceiving music in such terms, as abstracted physical human-body (character) movement, with·in the kinds of musical languages (e.g. https://www.wassilykandinsky.net/work-50.php )
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